Showing posts with label implicate order. Show all posts
Showing posts with label implicate order. Show all posts

Friday, September 23, 2011

Ursula K. Le Guin, The Dispossessed pages 178-182

A couple of men were determined to talk physics with him. One of them was well mannered, and Shevek managed to evade him for a while, for he found it hard to talk physics with nonphysicists. The other was overbearing, and no escape was possible from him; but irritation, Shevek found, made it much easier to talk. The man knew everything, apparently because he had a lot of money. "As I see it," he informed Shevek, "you Simultaneity Theory simply denies the most obvious fact about time, the fact that time passes."

"Well, in physics one is careful about what one calls 'facts.' It is different from business," Shevek said very mildly and agreeably, but there was something in his mildness that made Vea, chatting with another group nearby, turn around to listen. "Within the strict terms of Simultaneity Theory, succession is not considered as a physically objective phenomenon, but as a subjective one."

"Now stop trying to scare Dearri, and tell us what that means in baby talk," Vea said. Her acuteness made Shevek grin.

"Well, we think that time 'passes,' flows past us, but what if it is we who move forward, from past to future, always discovering the new? It would be a little like reading a book, you see. The book is all there, all at once, between its covers. But if you want to read the story and understand it, you must begin with the first page, and go forward, always in order. So the universe would be a very great book, and we would be very small readers."

"But the fact is," said Dearri, "that we experience the universe as a succession, a flow. In which case, what's the use of this theory of how on some higher plane it may be all eternally coexistent? Fun for you theorists, maybe, but it has no practical application, no relevance to real life. Unless it means we can build a time machine!" he added with a kind of hard, false joviality.

"But we don't experience the universe only successively," Shevek said. "Do you never dream, Mr. Dearri?" He was proud of himself for having, for once, remembered to call someone 'Mr.'

"What's that got to do with it?"

"It is only in consciousness, it seems, that we experience time at all. A little baby has no time; he can't distance himself from the past and understand how it relates to his present, or plan how his present might relate to his future. He does not know time passes; he does not understand death. The unconscious mind of the adult is like that still. In a dream there is no time, and succession is all changed about, and cause and effect are all mixed together. In myth and legend there is no time. What past is it the tale means when it says 'Once upon a time'? And so, when the mystic makes the reconnection of his reason and his unconscious, he sees all becoming as one being, and understands the eternal return."

"Yes, the mystics," the shyer man said, eagerly. "Tebores, in the Eighth Millennium. He wrote, The unconscious mind is coextensive with the universe."

"But we're not babies," Dearri cut in, "we're rational men. Is your Simultaneity some kind of mystical regressivism?"

There was a pause, while Shevek helped himself to a pastry which he did not want, and ate it. He had lost his temper once today and made a fool of himself. Once was enough.

"Maybe you could see it," he said, "as an effort to strike a balance. You see, Sequency explains beautifully our sense of linear time, and the evidence of evolution. It includes creation, and mortality. But there it stops. It deals with all that changes, but it cannot explain why things also endure. It speaks only of the arrow of time--never of the circle of time."

"The circle?" asked the politer inquisitor, with such evident yearning to understand that Shevek quite forgot Dearri, and plunged in with enthusiasm, gesturing with hands and arms as if trying to show his listener, materially, the arrows, the cycles, the oscillations he spoke of. "Time goes in cycles, as well as in a line. A planet revolving: you see? One cycle, one orbit around the sun, is a year, isn't it? And two orbits, two years, and so on. One can count the orbits endlessly--an observer can. Indeed such a system is how we count time. It constitutes the time-teller, the clock. But within the system, the cycle, where is time? Where is beginning or end? Infinite repetition is an atemporal process. It must be compared, referred to some other cyclic or noncyclic process, to be seen as temporal. Well, this is very queer and interesting, you see. The atoms, you know, have a cyclic motion. The stable compounds are made of constituents that have a regular, periodic motion relative to one another. In fact, it is the tiny time-reversible cycles of the atom that give matter enough permanence that evolution is possible. The little timelessnesses added together make up time. And then on the big scale, the cosmos: well, you know we think that the whole universe is a cyclic process, an oscillation of expansion and contraction, without any before or after. Only within each of the great cycles, where we live, only there is there linear time, evolution, change. So then time has two aspects. There is the arrow, the running river, without which there is no change, no progress, or direction, or creation. And there is the circle or the cycle, without which there is chaos, meaningless succession of instants, a world without clocks or seasons or promises."

"You can't assert two contradictory statements about the same thing," said Dearri, with the calmness of his superior knowledge. "In other words, one of these 'aspects' is real, the other's simply an illusion."

"Many physicists have said that," Shevek assented.

"But what do you say?" asked the one who wanted to know.

"Well, I think it's an easy way out of the difficulty. . . . Can one dismiss either being, or becoming, as an illusion? Becoming without being is meaningless. Being without becoming is a big bore. . . . If the mind is able to perceive time in both these ways, then a true chronosophy should provide a field in which the relation of the two aspects or processes of time could be understood."

"But what's the good of this sort of 'understanding,'" Dearri said, "if it doesn't result in practical, technological applications? Just word juggling, isn't it."

"You ask questions like a true profiteer," Shevek said, and not a soul there knew he had insulted Dearri with the most contemptuous word in his vocabulary; indeed Dearri nodded a bit, accepting the compliment with satisfaction. Vea, however, sensed a tension, and burst in, "I don't really understand a word you say, you know, but it seems to me that if I did understand what you said about the book--that everything really all exists now--then couldn't we foretell the future? If it's already there?"

"No, no," the shyer man said, not at all shyly. "It's not there like a couch or a house. Time isn't space. You can't walk around in it!" Vea nodded brightly, as if quite relieved to be put in her place. Seeming to gain courage from his dismissal of the woman from the realms of higher thought, the shy man turned to Dearri and said, "It seems to me the application of temporal physics is in ethics. Would you agree to that, Dr. Shevek?"

"Ethics? Well, I don't know. I do mostly mathematics, you know. You cannot make equations of ethical behavior."

"Why not?" said Dearri.

Shevek ignored him. "But it's true, chronosophy does involve ethics. Because our sense of time involves our ability to separate cause and effect, means and end. The baby, again, the animal, they don't see the difference between what they do now and what will happen because of it. They can't make a pulley, or a promise. We can. Seeing the difference between now and not now, we can make the connection. And there mortality enters in. Responsibility. To say that a good end will follow from a bad means is just like saying that if I pull a rope on this pulley it will lift the weight on that one. To break a promise is to deny the reality of the past; therefore it is to deny the hope of a real future. If time and reason are functions of each other, if we are creatures of time, then we had better know it, and try to make the best of it. To act responsibly."

"But look here," said Dearri, with ineffable satisfaction in his own keenness, "you just said that in your Simultaneity system there is no past and future, only a sort of eternal present. So how can you be responsible for the book that's already written? All you can do is read it. There's no choice, no freedom of action left."

"That is the dilemma of determinism. You are quite right, it is implicit in Simultanist thinking. But Sequency thinking also has its dilemma. It is like this, to make a foolish little picture--you are throwing a rock at a tree, and if you are a Simultanist the rock has already hit the tree, and if you are a Sequentist it never can. So which do you choose? Maybe you prefer to throw rocks without thinking about it, no choice. I prefer to make things difficult, and choose both."

"How--how do you reconcile them?" the shy man asked earnestly.

Shevek nearly laughed in despair. "I don't know. I have been working a long time on it! After all, the rock does hit the tree. Neither pure sequency nor pure unity will explain it. We don't want purity, but complexity, the relationship of cause and effect, means and end. Our model of the cosmos must be as inexhaustible as the cosmos. A complexity that includes not only duration but creation, not only being but becoming, not only geometry but ethics. It is not the answer we are after, but only how to ask the question. . . ."

"All very well, but what industry needs is answers," said Dearri.

Shevek turned slowly, looked down at him, and said nothing at all.

Ursula K. Le Guin, The Dispossessed pages 153-154

When the Moon was in the sky one could make out the coastlines of its continents clearly, under the dazzling while whorls of its clouds.

"Why does it look so beautiful?" Takver said, lying beside Shevek under the orange blanket, the light out... "When we know that it's a planet just like this one, only with a better climate and worse people--when we know they're all propertarians, and fight wars, and make laws, and eat while others starve, and anyhow are all getting older and having bad luck and getting rheumatic knees and corns on their toes just like people here . . . when we know all that, why does it still look so happy--as if life there must be so happy? I can't look at that radiance and imagine a horrid little man with greasy sleeves and an atrophied mind like Sabul living on it; I just can't."

Their naked arms and breasts were moonlit. The fine, faint down on Takver's face made a blurring aureole over her features; her hair and the shadows were black. Shevek touched her silver arm with his silver hand, marveling at the warmth of the touch in that cool light.

"If you can see a thing whole," he said, "it seems that it's always beautiful. Planets, lives. . . . But close up, a world's all dirt and rocks. And day to day, life's a hard job, you get tired, you lose the pattern. You need distance, interval. The way to see how beautiful the earth is, is to see it as the moon. The way to see how beautiful life is, is from the vantage point of death."

"That's all right for Urras. Let it stay off there and be the moon--I don't want it! But I'm not going to stand up on a gravestone and look down on life and say, 'O lovely!' I want to see it whole right in the middle of it, here, now. I don't give a hoot for eternity."

"It's nothing to do with eternity," said Shevek, grinning, a thin shaggy man of silver and shadow. "All you have to do to see life whole is to see it as mortal. I'll die, you'll die; how could we love each other otherwise? The sun's going to burn out, what else keeps it shining?"

"Ah! your talk, your damned philosophy!"

"Talk? It's not talk. It's not reason. It's hand's touch. I touch the wholeness, I hold it. Which is moonlight, which is Takver? How shall I fear death? When I hold it, when I hold in my hands the light--"

Thursday, September 8, 2011

Thomas Mann, Doctor Faustus pages 193-194

"You want to put me on my honour as a humanist," said I. "Human reason! And besides, excuse me; 'constellation' is your every other word. But surely it belongs more to astrology. The rationalism you call for has a good deal of superstition about it--of belief in the incomprehensibly and vaguely dæmonic, the kind of thing we have in games of chance, fortune-telling with cards, and shaking dice. Contrary to what you say, your system seems to me more calculated to dissolve human reason in magic."

He carried his closed hand to his brow.

"Reason and magic," said he, "may meet and become one in that which one calls wisdom, initiation; in belief in the stars, in numbers. . . ."

Wednesday, June 8, 2011

Charles Fort, The Book of the Damned pages 6-7

I conceive of one inter-continuous nexus, in which and of which all seeming things are only different expressions, but in which all things are localizations of one attempt to break away and become real things, or to establish entity or positive difference or final demarcation or unmodified independence--or personality or soul, as it is called in human phenomena--

That anything that tries to establish itself as a real, or positive, or absolute system, government, organization, self, soul, entity, individuality, can so attempt only by drawing a line about itself, or about the inclusions that constitute itself, and damning or excluding, or breaking away from, all other "things":

That, if it does not so act, it cannot seem to be;

That, if it does so act, it falsely and arbitrarily and futilely and disastrously acts, just as would one who draws a circle in the sea, including a few waves, saying that the other waves, with which the included are continuous, are positively different, and stakes his life upon maintaining that the admitted and the damned are positively different.

Our expression is that our whole existence is animation of the local by an ideal that is realizable only in the universal:

That, if all exclusions are false, because always are included and excluded continuous: that if all seeming of existence perceptible to us is the product of exclusion, there is nothing that is perceptible to us that really is: that only the universal can really be.

Charles Fort, The Book of the Damned pages 4-5

It is our expression that nothing can attempt to be, except by attempting to include something else: that that which is commonly called "being" is a state that is wrought more or less definitely proportionately to the appearance of positive difference between that which is included and that which is excluded.

But it is our expression that there are no positive differences: that all things are like a mouse and a bug in the heart of a cheese. Mouse and a bug: no two things could seem more unalike. They're there a week, or they stay there a month: both of them are only transmutations of cheese. I think we're all bugs and mice, and are only different expressions of an all-inclusive cheese.

Or that red is not positively different from yellow: is only another degree of whatever vibrancy yellow is a degree of: that red and yellow are continuous, or that they merge in orange.

So then that, if, upon the basis of yellowness and redness, Science should attempt to classify all phenomena, including all red things as veritable, and excluding all yellow things as false or illusory, the demarcation would have to be false and arbitrary, because things colored orange, constituting continuity, would belong on both sides of the attempted border-line.

As we go along, we shall be impressed with this:

That no basis for classification, or inclusion and exclusion, more reasonable that that of redness and yellowness has ever been conceived of.

Monday, May 30, 2011

Louis Pauwels and Jacques Bergier, The Morning of the Magicians page 246

Einstein, with his sublime intelligence, was able, in a flash of illumination, to catch a glimpse of the space-time relationship, but without completely understanding or integrating it into his scheme of things. To communicate his discovery at a communicable and intelligible level, and to help him to recapture his own illuminating vision, he drew the sign λ representing the trihedral angle. This sign is not a schema of reality and means nothing to the mass of mankind. It is a signal, a rallying cry to all workers in the field of mathematical physics. And yet all the progress made in this field by the greatest intellects will only succeed in discovering what this trihedral symbol evokes, but will not be able to penetrate the Universe where the law of which this symbol is an expression actually operates. At least, at the end of this forward march, we will know that this other Universe exists.

Sunday, February 13, 2011

Clifford D. Simak, A Choice of Gods page 138

And what had she done, she wondered. What had happened to her? Trying to recall it, she could discover only fragments of it and she was sure that when it had happened there had been no fragmentation and that the fragments she could recall were no more than broken pieces of the whole. The world had opened out and so had the universe, or what she since had thought must have been the universe, lying all spread out before her, with every nook revealed, with all the knowledge, all the reasons there--a universe in which time and space had been ruled out because time and space were only put there, in the first place, to make it impossible for anyone to grasp the universe.

Clifford D. Simak, A Choice of Gods page 20

The ability seems to be inherent. Man probably had it for a long time before he began to use it. For it to develop time was needed and the longer life gave us time. Perhaps it would have developed even without the longer life if we'd not been so concerned, so fouled up, with our technology. Somewhere we may have taken the wrong turning, accepted the wrong values and permitted our concern with technology to mask our real and valid purpose. The concern with technology may have kept us from knowing what we had. These abilities of ours could not struggle up into our consciousness through the thick layers of machines and cost estimates and all the rest of it. And when we talk about abilities, it's not simply going to the stars.

Saturday, February 12, 2011

Thomas Pynchon, The Crying of Lot 49 page 69

She could, at this stage of things, recognize signals like that, as the epileptic is said to--an odor, color, pure piercing grace note announcing his seizure. Afterward it is only this signal, really dross, this secular announcement, and never what is revealed during the attack, that he remembers. Oedipa wondered whether, at the end of this (if it were supposed to end), she too might not be left with only compiled memories of clues, announcements, intimations, but never the central truth itself, which must somehow each time be too bright for her memory to hold; which must always blaze out, destroying its own message irreversibly, leaving an overexposed blank when the ordinary world came back. In the space of a sip of dandelion wine it came to her that she would never know how many times such a seizure may already have visited, or how to grasp it should it visit again. Perhaps even in this last second--but there was no way to tell.

Monday, February 7, 2011

Philip K. Dick, "Man, Android, and Machine" in The Shifting Realities of Philip K. Dick (Lawrence Sutin, ed.) page 214

Probably everything in the universe serves a good end--I mean, serves the universe's goals. But intrinsic portions or subsystems can be takers of life. We must deal with them as such, without reference to their role in the total structure.

Sunday, February 6, 2011

Philip K. Dick, "The Android and the Human" in The Shifting Realities of Philip K. Dick (Lawrence Sutin, ed.) page 208

Sudden surprises, by the way--and this thought may be in itself a sudden surprise to you--are a sort of antidote to the paranoid . . . or, to be accurate about it, to live in such a way as to encounter sudden surprises quite often or even now and then as an indication that you are not paranoid, because to the paranoid, nothing is a surprise; everything happens exactly as he expected, and sometimes even more so. It all fits into his system. For us, though, there can be no system; maybe all systems--that is, any theoretical, verbal, symbolic, semantic, etc., formulation that attempts to act as an all-encompassing, all-explaining hypothesis of what the universe is about--are manifestations of paranoia. We should be content with the mysterious, the meaningless, the contradictory, the hostile, and most of all the unexplainably warm and giving--total so-called inanimate environment, in other words very much like a person, like the behavior of one intricate, subtle, half-veiled, deep, perplexing, and much-to-be-loved human being to another. To be feared a little, too, sometimes. And perpetually misunderstood. About which we can neither know nor be sure; and we must only trust and make guesses toward.

Saturday, January 8, 2011

Maya Deren, "Notes on Ritual and Ordeal"

Originally in Film Culture no. 39; I saw it quoted in the special features of a DVD of her movies.

A ritual is characterized by the de-personalization of the individual. In some cases it is even marked by the use of masks and voluminous garments, so that the performer is virtually anonymous; and it is marked also by the participation of the community...as a homogeneous entity in which the inner patterns of relationship between the elements create, together, a larger movement of the body as a whole. The intent of such a de-personalization is not the destruction of the individual; on the contrary, it enlarges him beyond the personal dimension.