Joanna Russ, "A Boy and His Dog: The Final Solution" in To Write Like a Woman: Essays in Feminism and Science Fiction, pages 71-72

It is nonsense to insist that the real danger in a tyrannical, self-hating, hypocritical, piously horrible society is pretty, scheming, little girls. The Nice Girl looks like the most sacred and the most privileged citizen of this ghastly community, but in reality her rights (as opposed to the rights of her owners) are nonexistent. In D. W. Griffith's Orphans of the Storm, for example, to lay a finger on Lillian Gish looks like a desecration, but she is far from being society or even a citizen of it; she has been invented, constructed, meant, put there in the film either to be raped or saved-from-rape--what other purpose can there possibly be for her unhuman helplessness and childishness? The Victorian gentlemen who so assiduously protected their daughters' maiden purity were not hypocrites when they visited whorehouses stocked with twelve-year-old girls; they were simply acting on the identical assumption about the high value of maiden purity. In such a setup, pretty girls are about as much privileged citizens as a diamond ring is a privileged citizen. Like money or jewels, women are counters for use in business or warfare between men. Punk loners (who are much more part of "society"...) can go on terrifying or killing waitresses or cheerleaders forever under the impression that they're heroically attacking society...

Confusing Nelson Rockefeller with his car is a useful delusion to inculcate in punks; this way they attack the car instead of the man. After all, if the punks ever found out the car was only a possession, there might be real trouble. But as long as movies assume that the use of women to bind men to respectability is an instinct or a scheme by women (who must act through men in order to attain any power or safety), and not a circumstance set up by powerful men, rebels can expend their emotion on reincarnations of the Bitch Goddess forever.

The war between fathers and sons is as chronic a conflict in patriarchy as the war between classes (that is, between upper-class and lower-class men), though not nearly as revolutionary in its potential. In both conflicts women are useful scapegoats, blamable and punishable for everything. After all, Son will eventually make it to the state of Father and will have his own Daughter/Wife he can own ("protect") from other Fathers, a Daughter he can give to another Son as payment for continuing the status quo. Son can even be counted on to punish Daughter if Daughter gets out of hand. Thus a real alliance between Daughter and Son is made eternally impossible, and luckily so, for such an alliance would be almost as dangerous for patriarchy as one between Daughter and Mother. Between classes, scapegoats are even more useful: Lower-class Man is not going to make it at all, i.e., he will never replace Upper-class Man; so using Lower/Upper-class Woman as scapegoat both distracts him from the real situation and bribes him to endure it.

The evils of female sexuality and the obligatory punishment of its carriers is the grand, eternally useful scapegoat of Western patriarchy. It is the one topic on which Fathers and Sons, Upper-class Men and Lower-class Men can heartily agree. And they can agree (and collude) while enjoying the comforting illusion that they are engaged in dangerous, revolutionary activities.

Silvia Federici, Caliban and the Witch: Women, the Body, and Primitive Accumulation page 169

What fears instigated such concerted policy of genocide? Why was so much violence unleashed? And why were its primary targets women?...

It must be immediately stated that, to this day, there are no sure answers to these questions. A major obstacle in the way of an explanation has been the fact that the charges against the witches are so grotesque and unbelievable as to be incommensurable with any motivation or crime.¹² How to account for the fact that for more than two centuries, in several European countries, hundreds of thousands of women were tried, tortured, burned alive or hanged, accused of having sold body and soul to the devil and, by magical means, murdered scores of children, sucked their blood, made potions with their flesh, caused the death of their neighbors, destroyed cattle and crops, raised storms, and performed many other abominations? (However, even today, some historians ask us to believe that the witch-hunt was quite reasonable in the context of the contemporary belief structure!)

12. There is also evidence of significant shifts in the weight attributed to specific accusations, the nature of the crimes commonly associated with witchcraft, and the social composition of the accusers and accused. The most significant shift, perhaps, is that in an early phase of the persecution (during the 15th-century trials) witchcraft was seen predominantly as a collective crime, relying on mass gatherings and organization, while by the 17th century it was seen as a crime of an individual nature, an evil career in which isolated witches specialized--this being a sign of the breakdown of communal bonds brought about by the increasing privatization of land tenure and the expansion of commercial relations in this period.

[Endnote on page 211]

Silvia Federici, Caliban and the Witch: Women, the Body, and Primitive Accumulation page 92

The criminalization of women's control over procreation is a phenomenon whose importance cannot be overemphasized, both from the viewpoint of its effects on women and its consequences for the capitalist organization of work. As is well documented, through the Middle Ages women had possessed many means of contraception... The criminalization of contraception expropriated women from this knowledge that had been transmitted from generation to generation, giving them some autonomy with respect to child-birth. It appears that, in some cases, this knowledge was not lost but was only driven underground; yet when birth control again made its appearance on the social scene, contraceptive methods were no longer of the type that women could use, but were specifically created for use by men... [B]y denying women control over their bodies, the state deprived them of the most fundamental condition for physical and psychological integrity and degraded maternity to the status of forced labor, in addition to confining women to reproductive work in a way unknown in previous societies.

Derrick Jensen, Endgame vol. 2: Resistance page 887

People often ask me what sort of a culture I would like to see replace civilization, and I always say that I do not want any culture to replace this one. I want 100,000 cultures to replace it, each one emerging from its own landbase, each one doing what sustainable cultures of all times and all places have done for their landbases: helping the landbase to become stronger, more itself, through their presence.

Maya Deren, "Notes on Ritual and Ordeal"

Originally in Film Culture no. 39; I saw it quoted in the special features of a DVD of her movies.

A ritual is characterized by the de-personalization of the individual. In some cases it is even marked by the use of masks and voluminous garments, so that the performer is virtually anonymous; and it is marked also by the participation of the community...as a homogeneous entity in which the inner patterns of relationship between the elements create, together, a larger movement of the body as a whole. The intent of such a de-personalization is not the destruction of the individual; on the contrary, it enlarges him beyond the personal dimension.