Thomas Mann, Doctor Faustus pages 377-378

Soullessness! I well know this is at bottom what they mean who apply the word "barbaric" to Adrian's creation. Have they ever, even if only with the reading eye, heard certain lyrical parts--or may I only say moments--of the Apocalypse: song passages accompanied by a chamber orchestra, which could bring tears to the eyes of a man more callous than I am, since they are like a fervid prayer for a soul. I shall be forgiven for an argument more or less into the blue; but to call soullessness the yearning for a soul--the yearning of the little sea-maid--that is what I would characterize as barbarism, as inhumanity!

Maria Mies, Patriarchy and Accumulation on a World Scale: Women in the International Divison of Labour pages 222-223

A change in the sexual division of labour would have the same effect on the level of the individuals which the change in the international division of labour would have on the level of whole regions or nations. A political decision in the overdeveloped countries, to de-link their economies from the exploitative world-market system and to establish self-sufficiency in the main areas, will pave the way for autarkic economic development in the underdeveloped countries. Similarly, a conscious decision on the part of the 'overdeveloped' men to forego building up their ego and identity on the exploitation and violent subordination of women, and to accept their share of the unpaid work for the creation and preservation of life will make it easier for women to establish autonomy over their lives and bodies and to come to a new definition of what woman's identity is.

These processes of liberation are interrelated. It is not possible for women in our societies to break out of the cages of patriarchal relations, unless the men begin a movement in the same direction. A men's movement against patriarchy should not be motivated by benevolent paternalism, but by the desire to restore to themselves a sense of human dignity and respect. How can men respect themselves if they have no respect for women? In the same way, the overdeveloped peoples have to start rejecting and transcending the economic paradigm of ever-increasing commodity production and consumption as a model of progress for the under-developed economies.

Maria Mies, Patriarchy and Accumulation on a World Scale: Women in the International Divison of Labour pages 221-222

A feminist conception of an alternative economy will include all that has previously been said about autarky and decentralization. But it will place the transformation of the existing sexual division of labour (based on the breadwinner-housewife model) at the centre of the whole restructuring process. This is not mere narcissistic self-indulgence of women, but the result of our historical research as well as our analysis of the functioning of capitalist patriarchy. Feminists do not start with the external ecology, economy and politics, but with the social ecology, the centre of which is the relation between men and women. Autonomy over our bodies and lives is, therefore, the first and most fundamental demand of the international feminist movement. Any search for ecological, economic and political autarky must start with the respect for the autonomy of women's bodies, their productive capacity to create new life, their productive capacity to maintain life through work, their sexuality. A change in the existing sexual division of labour would imply first and foremost that the violence that characterizes capitalist-patriarchal man-woman relations worldwide will be abolished not by women, but by men. Men have to refuse to define themselves any longer as Man-the-Hunter. Men have to start movements against violence against women if they want to preserve the essence of their own humanity.

Maria Mies, Patriarchy and Accumulation on a World Scale: Women in the International Divison of Labour page 208

[C]onsumerism is the drug by which women and men are made to accept otherwise inhuman, and increasingly destructive, conditions of life. The new 'needs', created by industry in its desperate effort to keep the growth model going are all of the type of addictions. The satisfaction of these addictions is no longer contributing to more happiness and human fulfilment, but to more destruction of the human essence.

Robert Sheckley, Immortality, Inc. (in the Dimensions of Sheckley omnibus) pages 127-129

"There are two basic elements in human affairs," Joe said sententiously. "One of them is man's eternal struggle for freedom. Freedom of worship, freedom of press and assembly, freedom to select government--freedom! And the other basic element in human affairs is the efforts of government to withhold freedom from the people."

Blaine considered this a somewhat simplified view of human affairs. But he continued listening.

"Government," Joe said, "withholds freedom for many reasons. For security, for personal profit, for power, or because they feel the people are unready for it. But whatever the reason, the basic facts remain: Man strives for freedom, and government strives to withhold freedom. Transplant is simply one more in a long series of the freedoms that man has aspired to and that his government feels are not good for him...."

"What will Transplant do?" Blaine asked.

"Transplant," Joe said fervently, "gives man the ability to transcend the limits imposed by his heredity and his environment!"

"Huh?"

"Yes! Transplant lets you exchange knowledge, bodies, talents and skills with anyone who wishes to exchange with you. And plenty do.... Think about it, Mr. Blaine. Why should a man be forced to live out his lifetime in a body he had no part in selecting? It's like telling him he must live with the diseases he's inherited, and mustn't try to cure them. Man must have the freedom to choose the body and talents best suited to his personality needs."

"If your plan went through," Blaine said, "you'd simply have a bunch of neurotics changing bodies every day."

"The same general argument was raised against the passage of every freedom," Joe said, his eyes glittering. "Throughout history it was argued that man didn't have the sense to choose his own religion, or that women didn't have the intelligence to use the vote, or that people couldn't be allowed to elect their own representatives because of the stupid choices they'd make. And of course there are plenty of neurotics around, people who'd louse up heaven itself. But you have a much greater number of people who'd use their freedoms well."

Joe lowered his voice to a persuasive whisper. "You must realize, Mr. Blaine, that a man is not his body, for he receives his body accidentally. He is not his skills, for those are frequently born of necessity. He is not his talents, which are produced by heredity and by early environmental factors. He is not the sicknesses to which he may be predisposed, and he is not the environment that shapes him. A man contains all these things, but he is greater than their total. He has the power to change his environment, cure his diseases, advance his skills--and, at last, to choose his body and talents! That is the next freedom, Mr. Blaine! It's historically inevitable, whether you or I or the government like it or not. For man must have every possible freedom!"

Joe finished his fierce and somewhat incoherent oration red-faced and out of breath. Blaine stared at the little man with new respect. He was looking, he realized, at a genuine revolutionary of the year 2110.

Thomas Pynchon, Gravity's Rainbow pages 577-578

In the last third of his life, there came over Laszlo Jamf--so it seemed to those who from out in the wood lecture halls watched his eyelids slowly granulate, spots and wrinkles grow across his image, disintegrating it toward old age--a hostility, a strangely personal hatred, for the covalent bond. A conviction that, for synthetics to have a future at all, the bond must be improved on--some students even read "transcended." That something so mutable, so soft, as a sharing of electrons by atoms of carbon should lie at the core of life, his life, struck Jamf as a cosmic humiliation. Sharing? How much stronger, how everlasting was the ionic bond--where electrons are not shared, but captured. Seized! and held! polarized plus and minus, these atoms, no ambiguities . . . how he came to love that clarity: how stable it was, such mineral stubbornness!

"Whatever lip-service we may pay to Reason," he told Pökler's class back at the T.H., "to moderation and compromise, nevertheless here remains the lion. A lion in each one of you. He is either tamed--by too much mathematics, by details of design, by corporate procedures--or he stays wild, an eternal predator.

"The lion does not know subtleties and half-solutions. He does not accept sharing as a basis for anything! He takes, he holds! He is not a Bolshevik or a Jew. You will never hear relativity from the lion. He wants the absolute. Life and death. Win and lose. Not truces or arrangements, but the joy of the leap, the roar, the blood."

If this be National Socialist chemistry, blame that something-in-the-air, the Zeitgeist. Sure, blame it. Prof.-Dr. Jamf was not immune.

Thomas Pynchon, Gravity's Rainbow page 219

"You're her mother . . . what if they arrest you, what happens to her?"

"That's what they--Peter can't you see, they want a great swollen tit with some atrophied excuse for a human, bleating around somewhere in its shadows. How can I be human for her? Not her mother. 'Mother,' that's a civil-service category, Mothers work for Them!"

Philip K. Dick, "Man, Android, and Machine" in The Shifting Realities of Philip K. Dick (Lawrence Sutin, ed.) page 212

"Man" or "human being" are terms that we must understand correctly and apply, but they apply not to origin or to any ontology but to a way of being in the world; if a mechanical construct halts in its customary operation to lend you assistance, then you will posit to it, gratefully, a humanity that no analysis of its transistors and relay systems can elucidate. A scientist, tracing the wiring circuits of that machine to locate its humanness, would be like our own earnest scientists who tried in vain to locate the soul in man, and, not being able to find a specific organ located at a specific spot, opted to decline to admit that we have souls. As soul is to man, man is to machine: It is the added dimension in terms of functional hierarchy. As one of us acts godlike (gives his cloak to a stranger), a machine acts human when it pauses in its programmed cycle to defer to it by reason of a decision.

Philip K. Dick, "The Android and the Human" in The Shifting Realities of Philip K. Dick (Lawrence Sutin, ed.) pages 209-210

[N]o android would think to do what a bright-eyed little girl I know did, something a little bizarre, certainly ethically questionable in several ways, at least in any traditional sense, but to me fully human in that it shows, to me, a spirit of merry defiance, of spirited, although not spiritual, bravery and uniqueness:

One day while driving along in her car she found herself following a truck carrying cases of Coca-Cola bottles, case after case, stacks of them. And when the truck parked, she parked behind it and loaded the back of her own car with cases, as many cases, of bottles of Coca-Cola as she could get in. So, for weeks afterward, she and her friends had all the Coca-Cola they could drink, free--and then, when the bottles were empty, she carried them to the store and turned them in for the deposit refund.

To that, I say this: God bless her. May she live forever. And the Coca-Cola company and the phone company and all the rest of it, with their passive infrared scanners and sniperscopes and suchlike--may they be gone long ago. Metal and stone and wire and thread never did live. But she and her friends--they, our human future, are our little song.

Philip K. Dick, "The Android and the Human" in The Shifting Realities of Philip K. Dick (Lawrence Sutin, ed.) page 208

Sudden surprises, by the way--and this thought may be in itself a sudden surprise to you--are a sort of antidote to the paranoid . . . or, to be accurate about it, to live in such a way as to encounter sudden surprises quite often or even now and then as an indication that you are not paranoid, because to the paranoid, nothing is a surprise; everything happens exactly as he expected, and sometimes even more so. It all fits into his system. For us, though, there can be no system; maybe all systems--that is, any theoretical, verbal, symbolic, semantic, etc., formulation that attempts to act as an all-encompassing, all-explaining hypothesis of what the universe is about--are manifestations of paranoia. We should be content with the mysterious, the meaningless, the contradictory, the hostile, and most of all the unexplainably warm and giving--total so-called inanimate environment, in other words very much like a person, like the behavior of one intricate, subtle, half-veiled, deep, perplexing, and much-to-be-loved human being to another. To be feared a little, too, sometimes. And perpetually misunderstood. About which we can neither know nor be sure; and we must only trust and make guesses toward.

Stanislaw Lem, "Die Kultur als Fehler" in A Perfect Vacuum page 133

Animals, Klopper observes, make no distinction between feces and carrion: they steer clear of both the one and the other as the evacuations of life. For a consistent materialist the equating of a corpse with excrement ought to be just as valid; but the latter we dispose of furtively, and the former with pomp, loftily, equipping the remains with a number of costly and complicated wrappings. This is required by culture, as a system of appearances that help us reconcile ourselves to the despicable facts.

Dave Hickey, Air Guitar pages 168-169

The justification for this pretense to disengagement derives from our Victorian habit of marginalizing the experience of art, of treating it as if it were somehow "special"--and, lately, as if it were somehow curable. This is a preposterous assumption to make in a culture that is irrevocably saturated with pictures and music, in which every elevator serves as a combination picture gallery and concert hall. The question of whether we can enjoy, or even decipher, the world we see without the experience of images, or the world we hear without the experience of music, seems to me pretty much a no-brainer. In fact, I cannot imagine a reason for categorizing any part of our involuntary, ordinary experience as "unaesthetic," or for imagining that this quotidian aesthetic experience occludes any "real" or "natural" relationship between ourselves and the world that surrounds us. All we do by ignoring the live effects of art is suppress the fact that these experiences, in one way or another, inform our every waking hour.

In my own case, I can still remember gazing at the lovely, lifting curve of a page upon which Oscar Wilde's argument that "life imitates art" was inscribed and knowing that this was the first "big truth" I had come across in writing. I can remember, as well, standing on the corner of 52nd Street and Third Avenue on a spring afternoon, six feet from a large citizen gouging the pavement with a jackhammer, and thinking about the Ramones, amazed at the preconscious acuity with which I had translated the pneumatic slap of the hammer into eighth-notes and wondering what part, if any, of the pleasures and dangers of the ordinary world might rightly be considered "natural." So it seems to me that, living as we do in the midst of so much ordered light and noise, we must unavoidably internalize certain expectations about their optimal patternings--and that these expectations must be perpetually and involuntarily satisfied, frustrated, and subtly altered every day, all day long, in the midst of things, regardless of what those patterns of light and noise might otherwise signify.

Mark Clifton and Frank Riley, They'd Rather Be Right page 43

More than knowledge or enlightenment or understanding, man values his ascendancy over something or someone. The fate of mankind is of little consequence to him if he must lose his command in the process.

Derrick Jensen, Endgame vol. 1: The Problem of Civilization pages 284-285

The checkout guy hates his job. Or at least he would if he allowed himself to feel in his body the slipping away of his own precious lifetime. Perhaps, though, it's more accurate to say "his own no-longer-precious lifetime," since if it were really precious he would not--could not--sell it so cheaply, nor even sell it for money at all. But he has been trained never to think of that, and especially to never feel it. If he thought of that--if he felt himself spending the majority of his life doing things he did not want to do--how would he then act? Who would he then be? What would he then do? How would he survive in this awful, unsurvivable system we call civilization? How, too, would we all respond if we fully awoke to the effects of the drip, drip, drip of hour after hour, day after day, year after year sold to jobs we do not love (jobs that are probably destroying our landbase to boot), and how would we respond, too, if we paid attention to the effects of other incessant drippings such as airbrushed photo after airbrushed photo on something so intimate as what--not whom, never whom--we find attractive?

...

A high school student bags the groceries. She's been through the mill. Twelve years of it, not counting her home life, twelve years of sitting in rows wishing she were somewhere else, wishing she were free, wishing it was later in the day, later in the year, later in her life when at long last her time--her life--would be her own. Moment after moment she wishes this. She wishes it day after day, year after year, until--and this was the point all along--she ceases anymore to wish at all (except to wish her body looked like those in the magazines, and to wish she had more money to buy things she hopes will for at least that one sparkling moment of purchase take away the ache she never lets herself feel), until she has become subservient, docile, domestic. Until her will--what's that?--has been broken. Until rebellion against the system comes to consist of yet more purchasing--don't you love those ads conflating alcohol consumption (purchased, of course, from major corporations) and rebelliousness?--or of nothing at all, until rebellion, like will, simply ceases to exist. Until the last vestiges of the wildness and freedom that are her birthright--as they are the birthright of every animal, plant, rock, river, piece of ground, breath of wind--have been worn or torn away.

Free will at this point becomes almost meaningless, because by now victims participate of their own free will--having long since lost touch with what free will might be. Indeed, they can be said to no longer have any meaningful will at all. Their will has been broken. Of course. That's the point. Now, they are workers. They are productive members of this great and benevolent structure of civilization that brings good to all it touches. They are happy, even if this happiness requires routine chemical assistance. There is no longer any need for force, because the people--or more precisely those who were once people--have been fully metabolized into the system, have become self-regulating, self-policing.

Welcome to the end of the world.

Michel Houellebecq, The Elementary Particles p. 29

He was less interested in television. Every week, however, his heart in his mouth, he watched The Animal Kingdom. Graceful animals like gazelles and antelopes spent their days in abject terror while lions and panthers lived out their lives in listless imbecility punctuated by explosive bursts of cruelty. They slaughtered weaker animals, dismembered and devoured the sick and the old before falling back into a brutish sleep where the only activity was that of the parasites feeding on them from within. Some of these parasites were hosts to smaller parasites, which in turn were a breeding ground for viruses. Snakes moved among the trees, their fangs bared, ready to strike at bird or mammal, only to be ripped apart by hawks. The pompous, half-witted voice of Claude Darget, filled with awe and unjustifiable admiration, narrated these atrocities. Michel trembled with indignation. But as he watched, the unshakable conviction grew that nature, taken as a whole, was a repulsive cesspit. All in all, nature deserved to be wiped out in a holocaust--and man's mission on earth was probably to do just that.