Ursula K. Le Guin, The Dispossessed page 52

He went to the windows of the big room and stood looking out. The room was high. He was startled at first and drew back, unused to being in a building of more than one storey. It was like looking down from a dirigible; one felt detached from the ground, dominant, uninvolved.

Derrick Jensen, Endgame vol. 2: Resistance page 766

Civilization has from the beginning devoted itself almost completely to conquest, to war. It's sometimes hard to say--and I'm not sure I care anyway--whether the civilized hyperexploit resources to fuel the war machine, or need a war machine to seize resources (which are then hyperexploited to fuel the war machine). It's probably a bit like asking whether the dominant culture is so destructive becasue most of its members are insane, suffering from a form of complex PTSD; or whether the dominant culture is so destructive because its materialistic system of social rewards--overvaluing the acquisition of wealth and power and undervaluing relationship--leads inevitably to hatred and atrocity; or whether the physical resource requirements of cities necessitate widespread violence and destruction. The answer is yes.

Shirley Jackson, "Pillar of Salt," in The Lottery and Other Stories pages 242-244

She was frankly afraid by now to take a bus; she stood on the corner and waited for a taxi. Glancing down at her feet, she saw a dime on the sidewalk and tried to pick it up, but there were too many people for her to bend down, and she was afraid to shove to make room for fear of being stared at. She put her foot on the dime and then saw a quarter near it, and a nickel. Someone dropped a pocketbook, she thought, and put her other foot on the quarter, stepping quickly to make it look natural; then she saw another dime and another nickel, and a third dime in the gutter. People were passing her, back and forth, all the time, rushing, pushing against her, not looking at her, and she was afraid to get down and start gathering up the money. Other people saw it and went past, and she realized that no one was going to pick it up. They were all embarrassed, or in too much of a hurry, or too crowded. A taxi stopped to let someone off, and she hailed it. She lifted her feet off the dime and the quarter, and left them there when she got into the taxi. This taxi went slowly and bumped as it went; she had begun to notice that the gradual decay was not particular to the taxis. The buses were cracking open in unimportant seams, the leather seats broken and stained. The buildings were going, too--in one of the nicest stores there had been a great gaping hole in the tiled foyer, and you walked around it. Corners of the buildings seemed to be crumbling away into fine dust that drifted downward, the granite was eroding unnoticed. Every window she saw on her way uptown seemed to be broken; perhaps every street corner was peppered with small change. The people were moving faster than ever before; a girl in a red hat appeared at the upper side of the taxi window and was gone beyond the lower side before you could see the hat; store windows were so terribly bright because you only caught them for a fraction of a second. The people seemed hurled on in a frantic action that made every hour forty-five minutes long, every day nine hours, every year fourteen days. Food was so elusively fast, eaten in such a hurry, that you were always hungry, always speeding to a new meal with new people. Everything was imperceptibly quicker every minute. She stepped into the taxi on one side and stepped out the other side at her home; she pressed the fifth-floor button on the elevator and was coming down again, bathed and dressed and ready for dinner with Brad. They went out for dinner and were coming in again, hungry and hurrying to bed in order to get to breakfast and lunch beyond. They had been in New York nine days; tomorrow was Saturday and they were going to Long Island, coming home Sunday, and then Wednesday they were going home, really home. By the time she had thought of it they were on the train to Long Island; the train was broken, the seats torn and the floor dirty; one of the doors wouldn't open and the windows wouldn't shut. Passing through the outskirts of the city, she thought, It's as though everything were traveling so fast that the solid stuff couldn't stand it and were going to pieces under the strain, cornices blowing off and windows caving in. She knew she was afraid to say it truly, afraid to face the knowledge that it was a voluntary neck-breaking speed, a deliberate whirling faster and faster to end in destruction.

Thomas Pynchon, The Crying of Lot 49 page 13

She looked down a slope, needing to squint for the sunlight, onto a vast sprawl of houses which had grown up all together, like a well-tended crop, from the dull brown earth; and she thought of the first time she'd opened a transistor radio to replace a battery and seen her first printed circuit. The ordered swirl of houses and streets, from this high angle, sprang at her now with the same unexpected, astonishing clarity as the circuit card had. Though she knew even less about radios than about Southern Californians, there were to both outward patterns a hieroglyphic sense of concealed meaning, of an intent to communicate. There'd seemed no limit to what the printed circuit could have told her (if she had tried to find out); so in her first minute of San Narciso, a revelation also trembled just past the threshold of her understanding.

James C. Scott, Seeing Like a State page 259 and endnote

A great many nations, some of them former colonies, have built entirely new capitals rather than compromise with an urban past that their leaders were determined to transcend; one thinks of Brazil, Pakistan, Turkey, Belize, Nigeria, the Ivory Coast, Malawi, and Tanzania.¹²⁰

120. One political advantage of a new capital is precisely that it does not belong to any existing community. Founding a new capital avoids certain delicate, if not explosive, choices that would otherwise have to be made. By the same logic, English became the national language of India because it was the only widely spoken language that did not belong exclusively to any particular traditional community. It did belong, however, to India's English-speaking intelligentsia, which was enormously privileged when its "dialect" became the national language. The United States and Australia, with no urban past to transcend, created planned capitals that represented a vision of progress and order and that were, not incidentally, in stark contrast to indigenous settlement practices.

Dave Hickey, Air Guitar pages 168-169

The justification for this pretense to disengagement derives from our Victorian habit of marginalizing the experience of art, of treating it as if it were somehow "special"--and, lately, as if it were somehow curable. This is a preposterous assumption to make in a culture that is irrevocably saturated with pictures and music, in which every elevator serves as a combination picture gallery and concert hall. The question of whether we can enjoy, or even decipher, the world we see without the experience of images, or the world we hear without the experience of music, seems to me pretty much a no-brainer. In fact, I cannot imagine a reason for categorizing any part of our involuntary, ordinary experience as "unaesthetic," or for imagining that this quotidian aesthetic experience occludes any "real" or "natural" relationship between ourselves and the world that surrounds us. All we do by ignoring the live effects of art is suppress the fact that these experiences, in one way or another, inform our every waking hour.

In my own case, I can still remember gazing at the lovely, lifting curve of a page upon which Oscar Wilde's argument that "life imitates art" was inscribed and knowing that this was the first "big truth" I had come across in writing. I can remember, as well, standing on the corner of 52nd Street and Third Avenue on a spring afternoon, six feet from a large citizen gouging the pavement with a jackhammer, and thinking about the Ramones, amazed at the preconscious acuity with which I had translated the pneumatic slap of the hammer into eighth-notes and wondering what part, if any, of the pleasures and dangers of the ordinary world might rightly be considered "natural." So it seems to me that, living as we do in the midst of so much ordered light and noise, we must unavoidably internalize certain expectations about their optimal patternings--and that these expectations must be perpetually and involuntarily satisfied, frustrated, and subtly altered every day, all day long, in the midst of things, regardless of what those patterns of light and noise might otherwise signify.

Derrick Jensen, Endgame vol. 1: The Problem of Civilization page 84

I need to say that I no more advocate violence than I advocate nonviolence. Further, I think that when our lifestyle is predicated on the violent theft of resources, to advocate nonviolence without advocating the immediate dismantling of the entire system is not, in fact, to advocate nonviolence at all, but to tacitly countenance the violence...on which the system is based.

Samuel R. Delany, Dhalgren pages 249-250

"Do you think a city can control the way people live inside it? I mean, just the geography, the way the streets are laid out, the way the buildings are placed?"

"Of course it does," she said. "San Francisco and Rome are both built on hills. I've spent time in both and I'm sure the amount of energy you have to spend to get from one place to the other in either city has more to do with the tenor of life in each one than whoever happens to be mayor. New York and Istanbul are both cut through by large bodies of water, and even out of sight of it, the feel on the streets in either is more alike than either one is to, say, Paris or Munich, which are only crossed by swimmable rivers. And London, whose river is an entirely different width, has a different feel entirely." She waited.

So at last he said. "Yeah...But thinking that live streets and windows are plotting and conniving to make you into something you're not, that's crazy, isn't it?"

"Yes," she said, "that's crazy--in a word."