Thursday, February 17, 2011

A.E. van Vogt, The World of Null-A, in the Triad omnibus pages 157-158

"The treaties forbid the use of atomic energy except as a source of power and for a few other specified purposes. We destroyed the Machine with atomic torpedoes. True, they were very small ones, but atomic nonetheless. In the League lexicon, the greatest crime of all is genocide. If you kill five per cent of a population, that's war. If you kill ten per cent, that's slaughter, and subject to indemnities if you are convicted before the League. If you kill twenty per cent or twenty million, whichever is greater, that is genocide."

A.E. van Vogt, The World of Null-A, in the Triad omnibus page 39

Fear must derive from the very colloids of a substance. A flower closing its petals for the night was showing fear of the dark, but it had no nervous system to transmit the impulse and no thalamus to receive and translate the electric message into an emotion. A human being was a physico-chemical structure whose awareness of life was derived from an intricate nervous system. After death, the body disintegrated; the personality survived as a series of distorted impulse-memories in other people's nervous systems. As the years flew by, those memories would grow dimmer. At most, Gilbert Gosseyn would survive as a nerve impulse in other human beings for half a century; as an emulsion on a film negative for several score years; as an electronic pattern in a series of cathode-ray cells for perhaps two centuries. None of the potentialities diminished even fractionally the flow of perspiration from his body in that hot, almost airless room.

"I'm as good as dead," he thought in agony. "I'm going to die. I'm going to die."

Sunday, February 13, 2011

Clifford D. Simak, A Choice of Gods page 138

And what had she done, she wondered. What had happened to her? Trying to recall it, she could discover only fragments of it and she was sure that when it had happened there had been no fragmentation and that the fragments she could recall were no more than broken pieces of the whole. The world had opened out and so had the universe, or what she since had thought must have been the universe, lying all spread out before her, with every nook revealed, with all the knowledge, all the reasons there--a universe in which time and space had been ruled out because time and space were only put there, in the first place, to make it impossible for anyone to grasp the universe.

Clifford D. Simak, A Choice of Gods page 77

"I don't know why," said Jason, "but when you talk about the People I have the feeling that you are describing a monstrous alien race rather than humanity. Without knowing any of the details, they sound frightening."

"They are to me," said John. "Not perhaps because of any single facet of their culture, for some of these facets can be very pleasant, but because of a sense of the irresistible arrogance implicit in it. Not the power so much, although the power is there, but the naked arrogance of a species that sees everything as property to be manipulated and used."

Clifford D. Simak, A Choice of Gods page 20

The ability seems to be inherent. Man probably had it for a long time before he began to use it. For it to develop time was needed and the longer life gave us time. Perhaps it would have developed even without the longer life if we'd not been so concerned, so fouled up, with our technology. Somewhere we may have taken the wrong turning, accepted the wrong values and permitted our concern with technology to mask our real and valid purpose. The concern with technology may have kept us from knowing what we had. These abilities of ours could not struggle up into our consciousness through the thick layers of machines and cost estimates and all the rest of it. And when we talk about abilities, it's not simply going to the stars.

Saturday, February 12, 2011

Thomas Pynchon, The Crying of Lot 49 page 103

"I came," she said, "hoping you could talk me out of a fantasy."

"Cherish it!" cried Hilarius, fiercely. "What else do any of you have? Hold it tightly by its little tentacle, don't let the Freudians coax it away or the pharmacists poison it out of you. Whatever it is, hold it dear, for when you lose it you go over by that much to the others. You begin to cease to be."

Thomas Pynchon, The Crying of Lot 49 page 69

She could, at this stage of things, recognize signals like that, as the epileptic is said to--an odor, color, pure piercing grace note announcing his seizure. Afterward it is only this signal, really dross, this secular announcement, and never what is revealed during the attack, that he remembers. Oedipa wondered whether, at the end of this (if it were supposed to end), she too might not be left with only compiled memories of clues, announcements, intimations, but never the central truth itself, which must somehow each time be too bright for her memory to hold; which must always blaze out, destroying its own message irreversibly, leaving an overexposed blank when the ordinary world came back. In the space of a sip of dandelion wine it came to her that she would never know how many times such a seizure may already have visited, or how to grasp it should it visit again. Perhaps even in this last second--but there was no way to tell.

Thomas Pynchon, The Crying of Lot 49 page 13

She looked down a slope, needing to squint for the sunlight, onto a vast sprawl of houses which had grown up all together, like a well-tended crop, from the dull brown earth; and she thought of the first time she'd opened a transistor radio to replace a battery and seen her first printed circuit. The ordered swirl of houses and streets, from this high angle, sprang at her now with the same unexpected, astonishing clarity as the circuit card had. Though she knew even less about radios than about Southern Californians, there were to both outward patterns a hieroglyphic sense of concealed meaning, of an intent to communicate. There'd seemed no limit to what the printed circuit could have told her (if she had tried to find out); so in her first minute of San Narciso, a revelation also trembled just past the threshold of her understanding.

Thomas Pynchon, The Crying of Lot 49 page 10

Oedipa, perverse, had stood in front of the painting and cried. No one had noticed; she wore dark green bubble shades. For a moment she'd wondered if the seal around her sockets were tight enough to allow the tears simply to go on and fill up the entire lens space and never dry. She could carry the sadness of the moment with her that way forever, see the world refracted through those tears, those specific tears, as if indices as yet unfound varied in important ways from cry to cry.

Monday, February 7, 2011

Philip K. Dick, "Cosmogony and Cosmology" in The Shifting Realities of Philip K. Dick (Lawrence Sutin, ed.) page 307

What can one say in favor of the suffering of living creatures in this world? Nothing. Nothing, except that it will by its nature trigger off revolt or disobedience--which in turn will lead to an abolition of this world and a return to the Godhead. It is the very gratuity of the suffering that most of all incites rebellion, incites a comprehension that something in this world is terribly, terribly wrong. That this suffering is purposeless, random, and unmerited leads ultimately to its own destruction--its and its author's. The more fully we see the pointlessness of it the more inclined we are to revolt against it. Any attempt to discern a redemptive value or purpose in the fact of suffering merely binds us more firmly to a vicious and irreal system of things--and to a brutal tyrant that is not even alive. "I do not accept this" must be our attitude... Seeking to find a purpose in suffering is like seeking to find a purpose in a counterfeit coin. The "purpose" is obvious: It is a trick, designed to deceive. If we are deceived into believing that suffering serves--must serve--some good end, then the counterfeit has managed to pass itself off and has achieved its cruel purpose.

Philip K. Dick, "How to Build a Universe That Doesn't Fall Apart Two Days Later" in The Shifting Realities of Philip K. Dick page 264

In my writing I got so interested in fakes that I finally came up with the concept of fake fakes. For example, in Disneyland there are fake birds worked by electric motors that emit caws and shrieks as you pass by them. Suppose some night all of us sneaked into the park with real birds and substituted them for the artificial ones. Imagine the horror the Disneyland officials would feel when they discovered the cruel hoax. Real birds! And perhaps someday even real hippos and lions. Consternation. The park being cunningly transformed from the unreal to the real, by sinister forces. For instance, suppose the Matterhorn turned into a genuine snow-covered mountain? What if the entire place, by a miracle of God's power and wisdom, was changed, in a moment, in the blink of an eye, into something incorruptible? They would have to close down.

Philip K. Dick, "Man, Android, and Machine" in The Shifting Realities of Philip K. Dick (Lawrence Sutin, ed.) page 211

Within the universe there exists fierce cold things, which I have given the name "machines" to. Their behavior frightens me, especially when it imitates human behavior so well that I get the uncomfortable sense that these things are trying to pass themselves off as humans but are not. I call them "androids," which is my own way of using that word. By "android" I do not mean a sincere attempt to create in the laboratory a human being... I mean a thing somehow generated to deceive us in a cruel way, to cause us to think it to be one of ourselves. Made in a laboratory--that aspect is not meaningful to me; the entire universe is one vast laboratory, and out of it come sly and cruel entities that smile as they reach out to shake hands. But their handshake is the grip of death, and their smile has the coldness of the grave.

Philip K. Dick, "Man, Android, and Machine" in The Shifting Realities of Philip K. Dick (Lawrence Sutin, ed.) page 214

Probably everything in the universe serves a good end--I mean, serves the universe's goals. But intrinsic portions or subsystems can be takers of life. We must deal with them as such, without reference to their role in the total structure.

Philip K. Dick, "Man, Android, and Machine" in The Shifting Realities of Philip K. Dick (Lawrence Sutin, ed.) page 213

My theme for years in my writing has been, "The devil has a metal face." Perhaps this should be amended now. What I glimpsed and then wrote about was in fact not a face; it was a mask over a face. And the true face is the reverse of the mask. Of course it would be. You do not place fierce, cold metal over fierce, cold metal. You place it over soft flesh, as the harmless moth adorns itself artfully to terrorize others with ocelli.

Philip K. Dick, "Man, Android, and Machine" in The Shifting Realities of Philip K. Dick (Lawrence Sutin, ed.) page 212

"Man" or "human being" are terms that we must understand correctly and apply, but they apply not to origin or to any ontology but to a way of being in the world; if a mechanical construct halts in its customary operation to lend you assistance, then you will posit to it, gratefully, a humanity that no analysis of its transistors and relay systems can elucidate. A scientist, tracing the wiring circuits of that machine to locate its humanness, would be like our own earnest scientists who tried in vain to locate the soul in man, and, not being able to find a specific organ located at a specific spot, opted to decline to admit that we have souls. As soul is to man, man is to machine: It is the added dimension in terms of functional hierarchy. As one of us acts godlike (gives his cloak to a stranger), a machine acts human when it pauses in its programmed cycle to defer to it by reason of a decision.

Sunday, February 6, 2011

Philip K. Dick, "The Android and the Human" in The Shifting Realities of Philip K. Dick (Lawrence Sutin, ed.) pages 209-210

[N]o android would think to do what a bright-eyed little girl I know did, something a little bizarre, certainly ethically questionable in several ways, at least in any traditional sense, but to me fully human in that it shows, to me, a spirit of merry defiance, of spirited, although not spiritual, bravery and uniqueness:

One day while driving along in her car she found herself following a truck carrying cases of Coca-Cola bottles, case after case, stacks of them. And when the truck parked, she parked behind it and loaded the back of her own car with cases, as many cases, of bottles of Coca-Cola as she could get in. So, for weeks afterward, she and her friends had all the Coca-Cola they could drink, free--and then, when the bottles were empty, she carried them to the store and turned them in for the deposit refund.

To that, I say this: God bless her. May she live forever. And the Coca-Cola company and the phone company and all the rest of it, with their passive infrared scanners and sniperscopes and suchlike--may they be gone long ago. Metal and stone and wire and thread never did live. But she and her friends--they, our human future, are our little song.

Philip K. Dick, "The Android and the Human" in The Shifting Realities of Philip K. Dick (Lawrence Sutin, ed.) page 208

Sudden surprises, by the way--and this thought may be in itself a sudden surprise to you--are a sort of antidote to the paranoid . . . or, to be accurate about it, to live in such a way as to encounter sudden surprises quite often or even now and then as an indication that you are not paranoid, because to the paranoid, nothing is a surprise; everything happens exactly as he expected, and sometimes even more so. It all fits into his system. For us, though, there can be no system; maybe all systems--that is, any theoretical, verbal, symbolic, semantic, etc., formulation that attempts to act as an all-encompassing, all-explaining hypothesis of what the universe is about--are manifestations of paranoia. We should be content with the mysterious, the meaningless, the contradictory, the hostile, and most of all the unexplainably warm and giving--total so-called inanimate environment, in other words very much like a person, like the behavior of one intricate, subtle, half-veiled, deep, perplexing, and much-to-be-loved human being to another. To be feared a little, too, sometimes. And perpetually misunderstood. About which we can neither know nor be sure; and we must only trust and make guesses toward.

Philip K. Dick, "The Android and the Human" in The Shifting Realities of Philip K. Dick (Lawrence Sutin, ed.) pages 194-195

Speaking in science fiction terms, I now foresee an anarchistic, totalitarian state ahead. Ten years from now a TV street reporter will ask some kid who is president of the United States, and the kid will admit that he doesn't know. "But the president can have you executed," the reporter will protest. "Or beaten or thrown into prison or all your rights taken away, all your property--everything." And the boy will reply, "Yeah, so could my father up to last month when he had his fatal coronary. He used to say the same thing." End of interview. And when the reporter goes to gather up his equipment he will find that one of his color 3-D stereo microphone-vidlens systems is missing; the kid has swiped it from him while the reporter was babbling on.

If, as it seems we are, [sic] in the process of becoming a totalitarian society in which the state apparatus is all-powerful, the ethics most important for the survival of the true, human individual would be: Cheat, lie, evade, fake it, be elsewhere, forge documents, build improved electronic gadgets in your garage that'll outwit the gadgets used by the authorities. If the television screen is going to watch you, rewire it late at night when you're permitted to turn it off--rewire it in such a way that the police flunky monitoring the transmission from your living room mirrors back his house. When you sign a confession under duress, forge the name of one of the political spies who's infiltrated your model-airplane club. Pay your fines in counterfeit money or rubber checks or stolen credit cards. Give a false address. Arrive at the courthouse in a stolen car. Tell the judge that if he sentences you, you will substitute aspirin tablets for his daughter's birth control pills. Or put His Honor on a mailing list for pornographic magazines. Or, if all else fails, threaten him with your using his telephone-credit-card number to make unnecessary long-distance calls to cities on another planet. It will not be necessary to blow up the courthouse anymore. Simply find some way to defame the judge--you saw him driving home one night on the wrong side of the road with his headlights off and a fifth of Seagram's VO propped up against his steering wheel. And his bumper sticker that night read: Grant Full Rights to Us Homosexuals. He has, of course, torn off the sticker by now, but both you and ten of your friends witnessed it. And they are all at pay phones right now, ready to phone the news to the local papers. And, if he is so foolish as to sentence you, at least ask him to give back the little tape recorder you inadvertently left in his bedroom. Since the off-switch on it is broken, it has probably recorded its entire ten-day reel of tape by now. Results should be interesting. And if he tries to destroy the tape, you will have him arrested for vandalism, which in the totalitarian state of tomorrow will be the supreme crime. What is your life worth in his eyes compared with a $3 reel of Mylar tape? The tape is probably government property, like everything else, so to destroy it would be a crime against the state. The first step in a calculated, sinister insurrection.

Tuesday, February 1, 2011

James C. Scott, Seeing Like a State page 332

It is worth emphasizing the degree to which oral cultures, as opposed to written cultures, may avoid the rigidity of orthodoxy. Because an oral culture has no textual reference point for marking deviations, traditions currently in circulation vary with the speaker, the audience, and local needs. Having no yardstick like a sacred text to measure the degree of drift from its Ur-tradition, such a culture can change greatly over time and simultaneously think of itself as remaining faithful to tradition.

James C. Scott, Seeing Like a State page 259 and endnote

A great many nations, some of them former colonies, have built entirely new capitals rather than compromise with an urban past that their leaders were determined to transcend; one thinks of Brazil, Pakistan, Turkey, Belize, Nigeria, the Ivory Coast, Malawi, and Tanzania.120
120. One political advantage of a new capital is precisely that it does not belong to any existing community. Founding a new capital avoids certain delicate, if not explosive, choices that would otherwise have to be made. By the same logic, English became the national language of India because it was the only widely spoken language that did not belong exclusively to any particular traditional community. It did belong, however, to India's English-speaking intelligentsia, which was enormously privileged when its "dialect" became the national language. The United States and Australia, with no urban past to transcend, created planned capitals that represented a vision of progress and order and that were, not incidentally, in stark contrast to indigenous settlement practices.

James C. Scott, Seeing Like a State page 254

The image of coordination and authority aspired to here recalls that of mass exercises--thousands of bodies moving in perfect unison according to a meticulously rehearsed script. When such coordination is achieved, the spectacle may have several effects. The demonstration of mass coordination, its designers hope, will awe spectators and participants with its display of powerful cohesion. The awe is enhanced by the fact that, as in the Taylorist factory, only someone outside and above the display can fully appreciate it as a totality; the individual participants at ground level are small molecules within an organism whose brain is elsewhere. The image of a nation that might operate along these lines is enormously flattering to elites at the apex--and, of course, demeaning to a population whose role they thus reduce to that of ciphers. Beyond impressing observers, such displays may, in the short run at least, constitute a reassuring self-hypnosis which serves to reinforce the moral purpose and self-confidence of the elites.

James C. Scott, Seeing Like a State pages 81-82

To this point, I have been making a rather straightforward, even banal point about the simplification, abstraction, and standardization that are necessary for state officials' observations of the circumstances of some or all of the population. But I want to make a further claim, one analogous to that made for scientific forestry: the modern state, through its officials, attempts with varying success to create a terrain and a population with precisely those standardized characteristics that will be easiest to monitor, count, assess, and manage. The utopian, immanent, and continually frustrated goal of the modern state is to reduce the chaotic, disorderly, constantly changing social reality beneath it to something more closely resembling the administrative grid of observations.